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___________PUBLICATIONS___________ |
"Terra Nova: Polymer Art at the Crossroads,"
Rachel Carren, Bruce W. Pepich and Lena Vigna (eds.), Racine (Wis.) Art Museum, 2011, pp. 58-67.
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"Polymer Clay: A Modern Medium Comes of Age," Ornament magazine, Vol. 34:4 2011, pp. 38 - 45
by Jill A. DeDominicis.
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"How Polymer Hit The Big Time," American Craft magazine, October/November 2011, pp. 54 - 61
by Monica Moses.
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"Masters: Polymer Clay,"
Rachel Carren (curator), New York, Lark Crafts, 2011, pp. 8-15.
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"100 Artists Of New England,"
E. Ashley Rooney, Atglen, Pennsylvania, Schiffer Publishing Ltd., 2010, pp. 176-177.
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"The History Of Beads,"
Lois Sherr Dubin, New York, Abrams, 2009, p. 342.
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"Holding Color In My Hands," Connie Donaldson, Polymercafe, April 2008, pp. 14-21.
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"Clay, Science and Art," 30-minute Radio Interview with Kathleen Dustin, New Hampshire Public Radio's "The Front Porch" with John Walters, 30 March 2005
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"The Timeless Art of Crafts: The Smithsonian Craft
Show 2000," Diane M. Bolz. Smithsonian,
May 2000, pp. 86-96.
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"Kathleen Dustin: A Polymer Clay Pioneer,"
J. Tol Broome, Jr. The Crafts Report,
April 2000, pp. 20-23.
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"Foundations in Polymer Clay Design,"
Barbara A. McGuire. Krause Publications, 1999.
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"Movers & Shapers," Lee Lawrence. American
Style, Summer 1999.
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"17th Annual Smithsonian Craft Show," promotional
poster and cover image of program, 1999.
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"Designing Women," Clifford Pugh. Houston
Chronicle, Sunday, May 9, 1999.
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"New Challenges: Polymer Artists Work Precious Metal
Clay," Robert K. Liu. Ornament,
Winter 1997.
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"Kathleen Dustin: The Journey Within," (cover
article) Carolyn Benesh. Ornament, Summer
1997.
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Artists At Work, P. Ashcroft
& L. Haunani. Flower Valley Press, 1997.
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1997 Polymer Clay Invitational
Calendar.
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Creating With Polymer Clay: Design,
Techniques, and Projects, Steven Ford & Leslie Dierks.
Lark Books, 1995.
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Collectible Beads, Robert
K. Liu. Ornament Inc., 1995.
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Creative Clay Jewelry,
Leslie Dierks. Lark Books, 1994.
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The New Clay, Nan Roche.
Flower Valley Press, 1991. Dedication and Foreword.
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The Guild: A Sourcebook of American
Craft Artists, Kraus Sikes Inc., 1989.
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"The Use of Polyform in Bead-Making," Kathleen
Dustin. Ornament, Spring 1988 (Vol.
II, no. 3), pp. 16-19.
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___________EXCERPTS___________
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From "The Timeless Art of Crafts" by Diane
Bolz, Smithsonian, May 2000, p. 93:
For Kathleen Dustin the challenge lies in making
something that is functional as well as beautiful. Her unique sculptured
evening bags are fashioned entirely out of colored polymer clay.
One of the pioneers of fine art in this medium, Dustin developed
a multiple-layering technique that entails drawing, creating images
with the colored clay, carving, and repeated baking and buffing.
A sculptor and ceramist, Dustin began using polymer claya
nontraditional material that requires only simple tools and an oven
for bakingbecause it fit her itinerent lifestyle. As to her
motifs, Dustin explains, "I´ve depicted women in some
form or another the whole time I´ve been an artist. I´m
fascinated with how women in different cultures live."
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Artist Profile by Belinda Clanton, from the Crafts at
the Castle 2003 Program, p. 18:
Kathleen Dustin is a pioneer and one of the leading
authorities in the medium of polymer clay or polyvinyl chloride,
better known in the industry as PVC. She taught the first workshop
[in the U.S.] on polymer clay for jewelry making and authored the
first article for Ornament magazine singing its praises of versatility.
With Kathleen´s infectious enthusiasm, and a growing number
of artists working with the medium, polymer clay is fast becoming
more and more popular. Kathleen has been working with the medium
for the past 18 years. Originally a ceramics artisan, Kathleen came
to polymer clay because she needed a creative outlet that would
travel easily for her nomadic lifestyle. She and her husband have
traveled all over the globe because of his job, and ceramics was
not an option, because accessing a kiln was not always possible.
In the Middle East, Kathleen was introduced to the German clay compound,
Fimo, generic polymer clay, while in Beirut, Lebanon, on a student
exchange program. Kathleen responded to the Fimo because it was
easy to use, and it needed only basic tools and a toaster oven to
bake it. It´s a real hands-on medium, the colors are infinite
and so are the ways to manipulate it. . . . . . .
Today, her one-of-a-kind exquisite evening bags
steal any show. Her Crafts at the Castle booth is always filled
with admirers, collectors and other artists wanting to talk shop.
One of Kathleen´s signature pieces is the
evening bag, titled "Madonna." The gold handle is reminiscent
of a halo and the beautiful serene face of the women would make
Michaelangelo weep. . . . Kathleen´s message is in the women´s
faces. Every pain, every joy, every horror is captured. Their eyes
are haunting, drawing you in, as if to speak some hidden secret.
You find yourself looking at them for hours mesmerized by their
beauty, as a calm sweeps over you.
Now living in a New Hampshire log cabin, Kathleen
has set down roots. She concentrates on her one-of-a-kind sculptured
evening bags completely made from colored polymer clay, still using
women as her inspiration. Kathleen´s cutting edge techniques
and constant layering and baking produce the most astonishing functional
pieces. Although Kathleen´s patrons collect her bags as sculptures
and display them in their homes, Kathleen likes to see the evening
bags used and enjoyed. They are fun pieces of sculpture that can
take a bit of abuse, so she tries to encourage her fans to take
them out on special occasions. After all, PVC is used in plumbing
and if it can hold up your plumbing system, surely it will survive
an occasional night out on the town.
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All Images ©2012 Kathleen Dustin
Photography by Charley Freiberg,
George Post &
Robert Diamante
Site designed by Kim Baxley
Shop implemented by Ben Wing
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